there are no starving babies on my block
sucking on air like the blue breeze is a warm bottle
no crows hovering for the final step
or flies sticking to the children’s breath
no matter how many times
i tear out pictures in a magazine
or weep at the somber scene on my television screen
then blog pictures for the world to see
i am not there.
my hunger struck early, too.
but it still left a residue
on the outsides of my cheeks.
the every day honey combs, reeked
the stink of urban black american poverty,
but still left crumbs for the feeding of roaches.
Tongue Rhythms
Monday, October 31, 2011
Tuesday, August 9, 2011
reflecting on a james baldwin quote got me thinking & feeling.
” I was born in the nightmare of the white man’s mind. “
- james baldwin
to be honest, i want to cry for days
willow weep a flood
and sink the debris
of fresh new white sheets
and create a sea
to wash away the everyday madness.
but the landfill
would still
reek
and we wouldn’t be clean
of it all.
i don’t have any other answer.
i would dance
but he stole the rhythm
i got it back
but only in a two step
i would sing
but my voice is cracked
i am barely breathing
i would crack
but i am stone cold sore
and solid
in the evil
of the white mans mind.
Tuesday, August 2, 2011
"they"
i am told
to write more than twenty lines
and speak the names
of ‘they’ for which i speak of
over and over again
i am told
to shave off the mystery
and let the kinks
fall to the floor
in black thick heaps
so they can understand
i am told to stop
writing ‘they’
and speak the name
of the white folk
or the friend
or the lover
or the ‘they’ who
i know is me
cause no one believes me
until i speak a name
my words
are not paint
and they cant see the face
but i am a painter
with a pencil as a brush
my abstract nature
is just a sign that i don’t know myself
is what they say
she says
(the woman
who always asks me to write more than twenty lines)
'stop making lines
so short
use the whole page
to say
what it is you have to stay
and stop using ‘they’
cause no one understands that
you are not a painter
and they want to see the face'
she says
'go deeper in to yourself
and use bigger words
and why are colors
abundantly used
there is much more in this life
you know, than colors
much more to put in your poems
and the sun is a tired
fixture
in your twenty lines
and it's dying out
and you are getting dry
write a full line
use better description
and stop writing about
not being a poet
when you know
that that is all you have ever been
and stop trying to slam
when you are soft
and sincere
and dont like people
interrupting you
with ooooh and ahhhhs
cause then you forget your spot
and feel lost
you never needed that
but at some point someone told you
you did
and you could never perform
those pieces
cause you are a baby blue
bird who chills in the nest
and loves to write short lines
about color
with small words
but you cant keeping using ‘they’
cause people want to recognize
faces
when they read your shit
they are lost
inside the shit
you write
they shake the head
and say with flat eyes
i like it
thats good
but they need you to write a little more
than twenty lines
and make your sentences longer
and admit that you are a poet
and you got a purpose
and you have more than twenty lines
inside of you.'
to write more than twenty lines
and speak the names
of ‘they’ for which i speak of
over and over again
i am told
to shave off the mystery
and let the kinks
fall to the floor
in black thick heaps
so they can understand
i am told to stop
writing ‘they’
and speak the name
of the white folk
or the friend
or the lover
or the ‘they’ who
i know is me
cause no one believes me
until i speak a name
my words
are not paint
and they cant see the face
but i am a painter
with a pencil as a brush
my abstract nature
is just a sign that i don’t know myself
is what they say
she says
(the woman
who always asks me to write more than twenty lines)
'stop making lines
so short
use the whole page
to say
what it is you have to stay
and stop using ‘they’
cause no one understands that
you are not a painter
and they want to see the face'
she says
'go deeper in to yourself
and use bigger words
and why are colors
abundantly used
there is much more in this life
you know, than colors
much more to put in your poems
and the sun is a tired
fixture
in your twenty lines
and it's dying out
and you are getting dry
write a full line
use better description
and stop writing about
not being a poet
when you know
that that is all you have ever been
and stop trying to slam
when you are soft
and sincere
and dont like people
interrupting you
with ooooh and ahhhhs
cause then you forget your spot
and feel lost
you never needed that
but at some point someone told you
you did
and you could never perform
those pieces
cause you are a baby blue
bird who chills in the nest
and loves to write short lines
about color
with small words
but you cant keeping using ‘they’
cause people want to recognize
faces
when they read your shit
they are lost
inside the shit
you write
they shake the head
and say with flat eyes
i like it
thats good
but they need you to write a little more
than twenty lines
and make your sentences longer
and admit that you are a poet
and you got a purpose
and you have more than twenty lines
inside of you.'
Tuesday, July 19, 2011
the summer of my sista
you stole my womb, sista
that sordid summer
when
you were my June
that joyful july
when the sky sat still to watch us
spread a wicked wild fire
on treeless streets
sista
i saw you smear her brown face
disfigure her soft taupe
and cloak her in burnt red
you ripped her
right from my arms
sista
you made her call you mother
then set fire to my name
and sista
i’ve been trying not to love you the same
way i did last summer
becauase sista, you hurt me
real ditch deep
then told me to get over it
like you don’t ever bleed
and we both know you do.
see sista
i loved her saccharine sweet
how she kicked
my tangerine tummy with her black feet
how she caught the rhythm
of my movement
and danced inside of me
it was you who helped to plant the seed
inside of the barren land
i could never reach
alone
sista do you remember
our side by side
summertime?
how we sank into the seared
summer blind?
watching the world
with soft smiles
in hard homes.
sista
do you remember
big black girl bike rides
in place of telephones?
those days when
our laugh
shook the city
before it all got this gritty
before you got so greedy
before summer
stopped her seething.
but sista
i saw her the other day
bouncing real fine
yeah, she was happy, round and brown
as my new full belly
and i was happy
to see her dancing
even if she didn’t remember
the auntie
who carried her
breathed life
inside her flat back
she never
had the chance to be held in my hands
but it is in her blood to know my dance
and
i am happy to see her dancing
z.bediako
that sordid summer
when
you were my June
that joyful july
when the sky sat still to watch us
spread a wicked wild fire
on treeless streets
sista
i saw you smear her brown face
disfigure her soft taupe
and cloak her in burnt red
you ripped her
right from my arms
sista
you made her call you mother
then set fire to my name
and sista
i’ve been trying not to love you the same
way i did last summer
becauase sista, you hurt me
real ditch deep
then told me to get over it
like you don’t ever bleed
and we both know you do.
see sista
i loved her saccharine sweet
how she kicked
my tangerine tummy with her black feet
how she caught the rhythm
of my movement
and danced inside of me
it was you who helped to plant the seed
inside of the barren land
i could never reach
alone
sista do you remember
our side by side
summertime?
how we sank into the seared
summer blind?
watching the world
with soft smiles
in hard homes.
sista
do you remember
big black girl bike rides
in place of telephones?
those days when
our laugh
shook the city
before it all got this gritty
before you got so greedy
before summer
stopped her seething.
but sista
i saw her the other day
bouncing real fine
yeah, she was happy, round and brown
as my new full belly
and i was happy
to see her dancing
even if she didn’t remember
the auntie
who carried her
breathed life
inside her flat back
she never
had the chance to be held in my hands
but it is in her blood to know my dance
and
i am happy to see her dancing
z.bediako
Thursday, April 21, 2011
Tuesday, April 19, 2011
slither.
it is 12:44 a.m.
she is sleeping
when the snake arrives
side winding
against her backside
slithering his sour self
across her humid hips
dipped dark in summer drape
she awakes
starched stiff
quietly pressing
her thighs together
like two spiraling twist ties
being steamed flat
on a white unyielding ironing board
he grows outside of her
as she shrinks
inside herself
he slinks against the
complex brown
he doesn't care
that she doesn't want him
that she will still feel him - crawling
in his absence
nor does he dare
to hurry or hush his heavy breathing
he doesn't even bother to avert his eyes
during family dinners.
she is sleeping
when the snake arrives
side winding
against her backside
slithering his sour self
across her humid hips
dipped dark in summer drape
she awakes
starched stiff
quietly pressing
her thighs together
like two spiraling twist ties
being steamed flat
on a white unyielding ironing board
he grows outside of her
as she shrinks
inside herself
he slinks against the
complex brown
he doesn't care
that she doesn't want him
that she will still feel him - crawling
in his absence
nor does he dare
to hurry or hush his heavy breathing
he doesn't even bother to avert his eyes
during family dinners.
19th Street U.S. Postal Service.
He stood still
at the front of the line
but backed away at my entrance.
My southern self could smell his
request, for a few minutes of a gentle listen.
"I am not waiting to be helped"
he said.
He gently pulled his hat off his graying head
"You see,
I haven't been back to this neighboorhood
since I was a child. This use to be my favorite
place to come and be rowdy.
Now, This neighboorhood used to be a lot different you know,
You see that shop over here, belonged to Mr. So & So.
Now white folks, drinking coffee
Where the AME church burned down
And there is a bar
above the burial ground.
It's been a real long time,
30 years to be exact.
This is the only business, that remains intact.
His sugary sweet eyes
glided across the freshly waxed floor
"Nothing around here is the same anymore."
Inspired by a conversation I had with a man in the U.S. Postal Office in North Philadephia.
at the front of the line
but backed away at my entrance.
My southern self could smell his
request, for a few minutes of a gentle listen.
"I am not waiting to be helped"
he said.
He gently pulled his hat off his graying head
"You see,
I haven't been back to this neighboorhood
since I was a child. This use to be my favorite
place to come and be rowdy.
Now, This neighboorhood used to be a lot different you know,
You see that shop over here, belonged to Mr. So & So.
Now white folks, drinking coffee
Where the AME church burned down
And there is a bar
above the burial ground.
It's been a real long time,
30 years to be exact.
This is the only business, that remains intact.
His sugary sweet eyes
glided across the freshly waxed floor
"Nothing around here is the same anymore."
Inspired by a conversation I had with a man in the U.S. Postal Office in North Philadephia.
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Tongue Rhythms
Womanchild, .know.love.be. Thyself.
- z.bediako
- a womanchild in a land where nothing is promised. my belly births a bundle of sounds. words live inside my head. sometimes they stay there for years. aching to marinate. i await for spices to calm them. saturate them. give them life.taste.rhythm. i share it through sound.words. i write lovepoems & politicalprose. i stay singing. i'm often laughing. and always loving.